This combination works surprisingly well, givingPierce the Veila distinguishing edge from others in the post hardcore scene with their uplifting take on the genre. ‘ Bulls in The Bronx’ is a signature track that perfectly executesPierce the Veil’s bold ‘mexicore’ trademark sound, steering from their hardcore influences and experimenting with Latino styles near to the end of the track. Both vocalists are known for their uniqueness and add to the refreshing and distinctive sounds already present in the record. Guest appearances on the album have been chosen perfectly, with vocal contributions from Sleeping with Siren’s Kellin Quinn in ‘King For a Day’ and letlive’s Jason Butler in ‘Tangled in the Great Escape’. This doesn’t mean to say that his other three band mates should go unrecognised, with each individual in the quartet communicate their raw talent through infectious melodies and captivating riffs. The unique sounds of vocalist Vic Fuentes really add to the success of the record, showing off his varied and enviable vocal abilities throughout a definite asset to the band. It might not be Pierce the Veil’s best album (although it’s pretty damn close), but it’s easily their most important, exemplifying a staying power that few bands in the scene have managed to attain.San Diego’s Pierce The Veil are currently gracing their home country on the Vans Warped Tour main stage, having also spent a year writing and recording their third full length ’ Collide With the Sky.’ It seems that the first half of 2012 has been a busy period for the quartet, and the second half seems busier still with a UK headline tour on the cards for September.Īll of this hard work is bound to pay off right? Luckily for Pierce the Veil, ’ Collide With the Sky’ lives up to expectations and the hard work and determination put into their musical career is leading to nothing but deserved triumph. The quality of Misadventures, on the other hand, is spread evenly throughout the album’s run time. Additionally, it improves upon the biggest gripe I had with Collide with the Sky, the fact that the album was frustratingly front-loaded with its best and heaviest tracks. Misadventures is somewhat of a departure from the darker tone of PTV’s recent output, but that doesn’t necessarily prove to be a strike against the music itself. Neither tracks are poor by any stretch, but they’re a far cry from the quality of “Tangled in the Great Escape” or “I’m Low on Gas and You Need a Jacket.” Closer “Song for Isabelle” boasts some Pierce the Veil’s strongest songwriting, but neither “Floral & Fading” nor “Gold Medal Ribbon” manage to distinguish themselves in such a way. Spanning just 2 minutes and 36 seconds, it features the band at their most volatile and unpredictable.Īs far as the softer numbers are concerned, it’s more of a mixed bag.
Additionally, late album highlight “Sambuka” is one of the most interesting songs in the band’s discography. Misadventures does have its share of heavier numbers, however “Today I Saw the Whole World” is easily the best example, combining an addictive groove with hard-hitting vocals and one of the album’s best hooks. Opener “Dive In” serves as an excellent introduction to the band’s new direction, combining furious instrumentation and vocals with a fun, pop punk-esque atmosphere. While there’s nothing as aggressive as “A Match into Water” or “King for a Day,” the record still boasts some of Pierce the Veil’s strongest work to date.
However, despite breaking these two cardinal sins, Pierce the Veil’s fourth full-length release sticks the landing with remarkable grace and precision.ĭespite dropping some of the dark atmosphere of Collide with the Sky, the summery vibe present throughout Misadventures is almost as successful. On top of that wait, switching up the signature sound that made the previous release popular in the first place is nothing less than a death wish. Taking a four year recording hiatus between your breakthrough album and its follow-up is quite the risk, to say the least.
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